equinoxes.
"

Recognized as one of the founders of visual-kei, Buck-Tick is influenced by the likes of David Bowie, Sisters of Mercy and Bauhaus, and the band has explored a variety of genres including cyberpunk, goth, electronica and rock.

Yet, somehow, the band remains true to its own signature sound and its name—a play on the word “firecracker” (bakuchiku). Guitarist Hisashi Imai is the band’s founder and composer, starting it in 1983 out of Fujioka. But it is Atsushi Sakurai who best embodies the Buck-Tick brand.

A bad boy in high-school, “Acchan” was first recruited as the drummer, and then went on to become the vocalist and lyricist. Whether sultry, emotionally raw, or electronically distorted, Sakurai’s distinct vocals and even more distinct angry samurai looks have made him an unforgettable front man.

Provocative on stage, yet modest in interviews, dressed to the nines in dark haute couture, a cat lover, Baudelaire-admirer, and a bit of a poet himself—what more could a J-rock fangirl’s heart desire?

With 18 Buck-Tick studio albums, plus literary, film and solo music projects, as well as numerous collaborations (notably with Raymond Watts and Sascha Konietzko of KMFDM fame) under his impeccably styled belt, Atsushi Sakurai is a true entertainer who only gets better with age.

"
Nina Kouprianova of Metropolis Magazine, talking about Atsushi Sakurai of BUCK-TICK as part of “the Pantheon of Japanese Rock Gods” (via vkoffee-fm)

(Source: metropolis.co.jp, via sexualtacos-blog)

— 1 year ago with 28 notes

thunderstruck9:
“ Cecily Brown (British, b. 1969), New Louboutin Pumps, 2005. Oil on linen, 206 x 205 cm.
”

thunderstruck9:

Cecily Brown (British, b. 1969), New Louboutin Pumps, 2005. Oil on linen, 206 x 205 cm.

via rustybreak

(via serpentskirts)

— 2 years ago with 391 notes

maryjopeace:
“ VIKTOR & ROLF HAUTE COUTURE | FALL/WINTER 1999 | VOGUE ITALIA | SEPTEMBER 1999
”

maryjopeace:

VIKTOR & ROLF HAUTE COUTURE | FALL/WINTER 1999 | VOGUE ITALIA | SEPTEMBER 1999 

(via virtualuxx)

— 2 years ago with 341 notes

bijoux-et-mineraux:
“ Fluorite - La Viesca mine, Huergo, Siero, Asturias, Spain
”

bijoux-et-mineraux:

Fluorite - La Viesca mine, Huergo, Siero, Asturias, Spain

(Source: greekrocks.com, via satr9)

— 2 years ago with 13824 notes

cherryscented:
“ affordable avant garde look #2
”

cherryscented:

affordable avant garde look #2

(Source: maren-bailey, via garlands-jpn)

— 2 years ago with 1948 notes

Hey, this post may contain adult content, so we’ve hidden it from public view.
Learn more.

Hey, this post may contain adult content, so we’ve hidden it from public view.

Learn more.

— 3 years ago

cavinmorrisgallery:
“ http://www.cavinmorris.com
Solange Knopf
Le grand soir, 2015
Mixed media on paper with gold ink
19.5 x 26 inches
49.5 x 66 cm
SoK 78
”

cavinmorrisgallery:

http://www.cavinmorris.com


Solange Knopf
Le grand soir, 2015
Mixed media on paper with gold ink
19.5 x 26 inches
49.5 x 66 cm
SoK 78

(via swimthroughthedirt)

— 3 years ago with 417 notes

kattoronto:
“Scenes from the sitting room.
((Polaroid Impulse photograph from last night’s Meatface shoot))
#missmeatface #kattorontophoto #polaroidphotography #analogphotography #impossibleproject #polaroidimpulse #hood #mask #fetish #kink #lowbrow...

kattoronto:

Scenes from the sitting room.
((Polaroid Impulse photograph from last night’s Meatface shoot))
#missmeatface #kattorontophoto #polaroidphotography #analogphotography #impossibleproject #polaroidimpulse #hood #mask #fetish #kink #lowbrow #kitsch #doily #crochetnightmare #nonidentity #popsurrealism #leathergloves #fetishfashion #bizarre #exotique #bigeyes #maio #eden #fetishphotography #selfportraiture

(Source: missmeatface, via rose-torture)

— 3 years ago with 197 notes

surrealism:
“Myth of Creation by Stanley William Hayter, 1940. Engraving, aquatint, and etching on copper, 25.1 x 20 cm. Tate Gallery, London, England.
”

surrealism:

Myth of Creation by Stanley William Hayter, 1940. Engraving, aquatint, and etching on copper, 25.1 x 20 cm. Tate Gallery, London, England.

(Source: tate.org.uk)

— 3 years ago with 274 notes